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Patrick Jolly

Pat Jolly (1921-2017)

Here at Last is Love has personal meaning for David.

In 2017, he inherited a set of remarkable letters preserved by a long-time friend, Pat Jolly, who served in the Welsh Guards. Each one had been written during the Second World War by a culturally significant gay man.

It is the fulfilment of Pat Jolly’s last wish that the intimate friendships which sustained him through these traumatic years should not be forgotten and their secret stories finally shared, not only to educate and inform the general public, but to foster in the LGBTQ+ community a greater sense of its own heritage, cultural significance and self-worth.

Here at Last is Love premiered at The Stables Theatre, Hastings, in May 2022, directed by Jason Morell.

Stage photography © Peter Mould 2022 -

It’s delicious – funny and touching and very skilfully fashioned – the mixture of music and verse and dialogue and general outrageousness.

Simon Callow



Here at Last is Love is a story so ripe for the telling, a story of kindness and humanity. It needs to be told.

Dame Harriet Walter


A fascinating piece of gay history - poignant and delicious. 

Sir Matthew Bourne, choreographer

The letters expose the pressure these men were under to keep their illegal sexuality hidden, whilst revealing the rich, joyful lives and loves they pursued in private that sustained them through the horrors of active service.

David has combined the candid content of these letters with the memories of Jolly’s circle for a new stage play, written in the style of a revue of the period.

Stage photography © Peter Mould 2022 -

The play is set in the Pink Sink – the basement bar of the Ritz Hotel on Piccadilly, where Jolly and his letter-writers found friendship and solace on leave during the London Blitz, 1940-41.

This ‘Ritz beneath the Ritz’ was a haven throughout the war for an intimate set of gay artists, writers, MI5 agents, army officers and actors in “military drag".

Stage photography © Peter Mould 2022 -

Funny, moving, fast-paced, entertaining and stylish. The music is wonderful. Here at Last is Love deserves as wide an audience as possible.

Melanie McFadyean, journalist

Identified members of the Pink Sink Set:

(move over each picture to reveal names)

Edomé Johnson

The Pink Sink was ruled by Edomé Theodosia Johnson née Monson (1903-65), affectionately known as Sodomy Johnson, the Buggers’ Vera Lynn.

Edomé descended from the ducal Manners family, yet was penniless and homeless by the war. She was one of very few to stand by Sir William Lygon (1872-1938) when he was banished from Britain in 1931 for ‘criminal acts of indecency’ with his valet and lover, George Roberts.

Edomé would later model for Lucian Freud (1922-2011), when he was the lover of artist Michael Wishart (1928-96), a schoolmate of the playwright’s mother.

Edomé Johnson - affectionately known as Sodomy Johnson, the Buggers’ Vera Lynn

Edomé Johnson (1903-65)

Stage photography © Peter Mould 2022 -

A delicious and riveting premise for an evening in the theatre.

Susi Wooldridge, actor


Some older denizens of the Pink Sink belonged to Oxford’s notorious Hypocrites’ Club in the 1920s. The hub of this hedonistic brotherhood was a relation of the playwright: the travel writer Robert Byron (1905-41), one of the first of the Bright Young Things.


Evelyn Waugh (1903-66) was a member of the Hypocrites’ Club when pursuing a heady affair with Hugh Lygon (1904-36), son of Edomé’s Lord Lygon.

It was members of the Hypocrites’ Club and the Lygon family who inspired Waugh's principal characters in Brideshead Revisited, Black Mischief, Vile Bodies and Decline & Fall.

Stage photography © Peter Mould 2022 -

Well-written and innovatively devised … highly engaging, accessible and poignant. This is quality work that deserves a wide audience … social history that must not be lost.

Mario Deschamps
Development & Production Executive for Radio-Canada TV Drama

Stage photography © Peter Mould 2022 -

David has ingeniously developed an illuminating new play … [which] throws fresh light on how gay and queer culture has been demonised and buried in our supposedly liberal country … Far from being a history play, this is very much for our times.

Tony Graham, Director

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 Stage photography © Peter Mould 2022 - 

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